Bringing to an end this long drought of new stories in print and plentiful rejections, I have two new shorts out this summer. One is the previously mentioned “I Am Emergent,” a story about two computer scientists, their life’s work in artificial intelligence, and the lengths to which we’re willing to go to save someone we love. This one is out now in the anthology WHAT REMAINS from Inked In Gray Publishing, which you can find here.
The most recent one is a story I’m particularly fond of. “The Only Memorial You Can Ever Have” appears in vol. VIII of Deracine Magazine. It is one that I set out to challenge myself with in every conceivable way. From perspective to tense to narrative voice to narrative distance to character perception and beyond, virtually everything in this story is something I’ve never even attempted before. And after everything, I think it works, and it moves me powerfully. I hope you check it out and agree.
Of note, I think, is that I don’t think “The Only Memorial You Can Ever Have” would have come out of me if not for the MFA program I’m currently in. We often talk about the value of MFA programs, and I think, in those conversations, they’re viewed as whether they’re necessary or whether they produce writers of greater caliber. After two years in one, I think that’s the wrong way to look at MFA programs.
The value of my MFA program, to me, is in this story. It provided me the environment to experiment and take risks. It offered the support structure that held me up when I took those wobbling steps. If I hadn’t pursued an MFA, I’m confident this story wouldn’t exist, because I wouldn’t have pushed myself in ways I needed to push myself for this one to come out.
That isn’t to say I think MFA programs make better writers, that they’re always good, or that they’re even necessary. It’s just to say this is a story that came out of my MFA program that I’m proud of and demonstrates how my writing has grown, broadened, and evolved.
Thanks to both Inked in Gray and Deracine. I hope you check them out.
It’s been a while since I’ve had anything in print, but very soon, I’m going to have a story in the upcoming anthology from Inked in Gray Press. Recently (yesterday), they unveiled the cover and opened the Kickstarter and preordering.
You should check this one out. It’s going to be a cool book, yes, but I like what Inked in Gray is doing. They understand the future of publishing is in community, and they work really hard to build that through the celebration of stories. There’s a purity in what they’re doing, I think, and I’m excited to be a part of it. Any of you fellow writers out there would do well to follow them on social media and submit some writing in the future.
Also, my story, “I Am Emergent,” is one that I’m very fond of. It’s about two scientists working on an artificial intelligence named Vic and the lengths we’ll go to prove to ourselves we’re the hero in our individual stories. This one is about the dark side of love, what we would sacrifice in its service.
I hope you contribute to the Kickstarter, preorder, or check it out when it’s available. I’ll let you know when it is.
Time for some good news. My story, “The Story of Jessie and Me,” has been accepted for Crystal Lake Publishing‘s anthology Tales From the Lake, Vol. 4.
I’m thrilled! Crystal Lake is doing great things, and it’s a family I’ve wanted to be a part of for a while.
I’m passionate about this story and this anthology. Go check out the previous volumes if you haven’t, and check this one out later this year. They also have a fantastic library of horror novels to choose from.
A couple weeks ago, in my summer update, I wrote about how 2016 hadn’t really panned out the way I’d hoped. It hasn’t been a bad year at all. In fact, production-wise, I feel like I’ve written some of the best fiction of my life. And while I haven’t had much to announce this year, some of that production is paying off.
I’m thrilled to announce Gamut, a new literary magazine, has accepted a short story of mine. I can’t stress the previous sentence’s verb enough.
An acceptance from any market is a great thing. It’s acknowledgement for hard work and dedication, not to mention passion for a piece. It says you did something right, but more than that, it says someone else believes in the story as much as you do. And now the story has an avenue to reach other readers.
But contributing to Gamut is a whole different accomplishment. Not only is Gamut an amazing project (and I’ll get to that in a moment) that is the brainchild of some people I hold in high regard, but it’s also a professional market.