I’ve been thinking a lot this week about presidents in the stories we tell. I love what I do because I get to create pieces of art that, with any luck, could become a reference point for someone to make sense of our world. Cultural touchstones in art are important because they reinforce or illuminate our cultural and social values, and we can use them for growth, to chart a path forward, or to find it again when we’ve lost our way.
One of the things I love about stories is we can look at a protagonist, acknowledge their flaws, and root for them to use their strengths to defeat the antagonist. More than that, the heroes we cast in our stories reveal the ideals we hold for our own values. We recognize them as the good guys not because we’re told they’re the good guys but because we see the good in them. We can examine the aspects that make them protagonists or heroes, and we can see in them a kind of reflection of that which we hold to be good.
We can look to President Whitmore played by Bill Pullman in Independence Day to give us hope in the darkest of times when all seems hopeless and lost. We can look to President Beck played by Morgan Freeman in Deep Impact to help us face the worst fate imaginable and to do it all with that voice that makes us feel wise and like everything is going to be okay. We can look to Dave Kovic played by Kevin Kline in Dave to cut through the bullshit, make us laugh, and remind us what’s most important: love. We can look to President Bartlett played by Martin Sheen in West Wing to demonstrate that prime patriotic quality of putting duty and country above all else, even politics. (I’m aware there aren’t really any great woman presidents in popular American culture to cite here, and I think that’s kind of a point worth making, so I’m leaving this list as is.)
In reality, our presidents aren’t like our idealized heroes. I know that. As many idealized presidents as we have in our storytelling, we seem to have more examples of presidents who represent our resentment of politics, and that points to a reality, too. Regardless, I think we should hold our real presidents to those ideals and values, because those ideals and values? They’re real. They’re the truth in the fiction.
The neat thing about storytelling in any culture is the audience has to mostly agree for the magic to work. The audience has to feel the hero is the hero, so we can look to stories to understand what a culture values.
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