Timothy – Page 2 – Timothy Johnson

January 16, 2024May 31, 2024

Finding Your Story’s Starting Line

Track athlete in a light blue track suit crouching at a starting line and preparing to run — Photo by Gratisography / Ryan McGuire from Freerange

I was on a panel once that was taking questions from the audience, and a guy raised his hand and asked how to know when to start a new chapter. He said he’d written hundreds of pages, and it was only chapter one. A silence fell over the room as the audience waited with rapt attention and those of us on the panel had no idea how to respond to that. Without seeing that guy’s manuscript, I was certain his problem was he hadn’t found the beginning of his story yet.

To the guy’s credit, he’d started writing his novel, and that’s admirable. Moreover, he’d started doing the work, and that’s progress.

I don’t remember how we, the panel, responded to him, but the point here is, again, without seeing that manuscript, I would expect to find pages and pages and pages of world building and information about characters, places, customs, traditions, etc. That stuff is important, but it’s not the story.

Finding the starting line is a very common problem for us writers because we are (and this is true—unless you’re using generative AI, which is bad and I’m going to get to someday) human beings, and it’s natural for human beings, when beginning any creative process, to search for information. Even legal cases start with a discovery process. As storytellers, we begin by asking questions like, Who is this person? What is this place? We build a foundation.

I’m here to tell you, while that stuff is incredibly important and you need to work on it because everything rests on it, the story starts elsewhere.

January 16, 2024May 31, 2024

New Story Coming From Air and Nothingness Press

I’m just dropping by here quickly to record for whoever reads these things that I will have a short story in the upcoming anthology, We Are All Thieves of Somebody’s Future, from Air and Nothingness Press. Right now, it’s scheduled for a May 2024 launch, and I think there will be a limited number of copies printed and available only from the publisher, so be on the lookout for more to ensure you can get yours.

My story is called “Starlight Vigil,” and it has a special place in my heart because I was experimenting with time’s role in storytelling structure. If you’ve ever heard me get nerdy about fiction-writing craft, you might know I have a thing for nonlinear storytelling. It’s something of a faux pas and goes against the grain of conventional wisdom, but I don’t care. Extended flashbacks? Love them. Time dilation? Yes please. Chronology distortion? Uh huh.

In “Starlight Vigil,” I wanted to tell a simple story with a heart rooted in one heroic character’s sacrifice, and I wanted to present the story in such a way that we focus not on the fact that a character has died (not a spoiler; it’s the opening lines of the story), but why, the effect their life has on the others who continue, and the legacy their sacrifice creates.

My hope is that, because of the perspective and the presentation given to the events in this story through a nonlinear, multidirectional timeline, readers might see a tragic story through a lens of hope.

The non-nerdy description of my story is that a micrometeorite punches a hole in a generation ship carrying the last of humanity, and an engineer sacrifices herself to save the vessel—presented out of order and in reverse as well as forward.

Anyway, I hope you’ll consider picking up a copy of this anthology when it’s available, and I hope you enjoy my story as well as the pieces by the other authors. I’m eager to read them, myself.

January 8, 2024May 31, 2024

The Best of Gamut Chronicles a New Movement in Dark Literature

Illustration by Luke Spooner, Design by Todd Keisling

In 2017, author and editor Richard Thomas assembled a staff of other writers, editors, and artists to pursue a new venture in dark speculative literature. Backed by a Kickstarter, the project aimed to pay competitive pro rates, putting creators first in a business that often privileges virtually everyone else.

That year, Gamut Magazine was born, and over the course of twelve issues, it published some truly pivotal work for dark-leaning literature, pushing genres like horror, fantasy, and science fiction into new realms. Unlike many other literary magazines, Gamut’s only aesthetic was that the writing had to turn its gaze to dark things. Seemingly everything else was not only fair game but encouraged.

Thus, Gamut succeeded in removing many of the stylistic and creative guardrails for contemporary genre literature. Unfortunately, after its inaugural run, the choice was made to close Gamut Magazine.

But it turns out Gamut didn’t die. It just went to sleep for a while.

December 12, 2023May 31, 2024

2023 Year-End Wrap-Up and Glance Forward

This year was a bit slow on the publishing front, but I did have two short stories get out there in the world. The first was a post-apocalyptic tale about unlimited power over finite resources, good intentions, and robots, appearing in Haven Speculative’s June issue. Read “Touch of Ruin” here.

The second is a more personal story about grief, loss, and brotherhood, and it won the F. Scott Fitzgerald Literary Festival Short Story contest in September. This was a bit of a milestone for me, and I was touched and honored the story won the contest. Read “A Winter Bloom” here.

Aside from those two publications, this year has been another one chock full of rejection. So it goes, right, Kurt? However, I did finish my next novel, titled American Spirits, and I’m seeking representation for this one. If you know any agents who might be interested, send them my way.

My Favorite stories of 2023

This time of year, I see a lot of favorite lists getting passed around, and I thought it was high time to do that myself. After all, I’m nothing if not a fan of other storytellers’ work.

November 13, 2023November 14, 2023

You’re Not a Bad Writer If It’s Difficult and You Choose Grace

An exhausted writer lays his head down at his desk. — Image by Nataliya Vaitkevich, Pexels

I think, if any writer says every day is a good writing day, they’re lying. I think it’s okay to struggle. I have to think that because I struggle often.

I think we (as in human beings) tend to believe in The Natural because we all (as in all human beings) want to believe there’s something we each were specifically designed to do. We want to find our life’s purpose, and we want to fulfill it. There’s a bit of the chosen one complex hidden here, but I think it’s typically fine and healthy.

Where we might go awry is in the logical leap that, if we find our purpose, it should be easy, right? I mean, when you take a pair of jeans that should be your size to the dressing room, they should go on without much tugging or tummy tucking involved.

In my own case, I’ve spent about fifteen years of my life chasing my writing dreams. That’s a long time, and I haven’t felt like I’ve really accomplished much, if I’m being honest. Sure, I’ve had some wins here and there, but most of those could be attributed to stubbornness versus actual skill or talent. Law of averages and all that.

Despite a world that seems resistant, I firmly believe I was put on this earth to tell stories. That isn’t to say I believe in an omnipotent and omniscient deity that had a plan for me when my parents did the deed, but I do think, given all of my talents, desires, passions, etc., I keep coming back to banging thoughts out on a keyboard. It’s the intersection of what I love and what I think I’m pretty good at (nevermind the other half of the Ikigai).

The trouble is writing fiction is difficult, and in my experience, there’s a difficulty creep. That is, as I’ve grown and improved as a storyteller, you might think it would get easier, but it doesn’t. There’s a principle that google’s failing me on right now in which every new discovery begets a certain number of new questions, and I think the pursuit of every artform is probably a lot like that. Not only are we evolving as people, writers, and readers, but with each project, we spark new ideas that we might not have otherwise illuminated, and as we chase those, inspiration strikes again, and writing then becomes a chain or web of stories that probably wouldn’t have happened if you hadn’t started somewhere.

All of that is to say any writing worth writing is an act of discovery, and that is necessarily difficult. Therefore, I don’t think any writer should feel difficulty is an indication that the pursuit is in vain. Quite the opposite, I would think. I would imagine, if we asked every writer who achieved a measure of success, none of them would admit to it being easy for them, and I don’t think that would be a lie.

October 27, 2023November 7, 2023

If She Floats…

A small row boat floats on calm water with a colorful sunset in the background — Photo by Nuno Obey

Please indulge me in some personal blogging.

A friend once told me writing a book is like building a boat, and sometimes, you just have to put it on water and see if it floats.

I’m reflecting on that today. For almost four years, I’ve been working on a boat, and I know every wooden plank, every nut and bolt, every ounce of sealant, every length of canvas. I’ve plugged every hole, smoothed every edge, finished every surface. I’ve obsessed over the details that will never matter in its sea-worthiness, that no one will ever care about, but I will. I’ve neglected my relationships, my career, my well-being. I’ve learned and grown through my dedication to the craft alongside others who were similarly consumed by the idea that they had to make something because there was a voice within them screaming that this thing, this vessel, has to exist. I’ve watched other ships set sail and wept with joy for their buoyancy, and I’ve hoped that one day, the tide might come in, raise my ship from its stand, and carry her out to sea where she just might mingle with all of the others.

My next novel, currently titled American Spirits, is going out to agents now, and if this one sinks, I’ll at least know I did everything I could so that she might sail on the glittering calm waters and ride the swelling waves.

But, oh, if she floats…

Traditional publishing is an intricate apparatus, some processes resembling a Rube Goldberg machine, others reminiscent of a grotesque Clive Barker nightmare, chains and hooks, but alas the gatekeepers are there and serve many purposes. I could digress into a discussion of the values of traditional, indie, and self publishing, but my aim with this one is deliberate. Spend four years on anything, and no one should suggest you’re being frivolous.

Anyway, it’s likely to be a long time before I hear any news regarding an interested agent and then an interested publishing company, if ever. Even if this book gets to that stage, traditional publishing companies have a very long pipeline, so I’m expecting years before knowing if this one floats or sinks. It seems strange to ask anyone to stay tuned because I’m likely to be quiet for a while yet.

In the meantime, there are other stories to tell. I’ll be around. Keep in touch.

October 13, 2023October 13, 2023

A Circuit Closes and Feels Like Completion

Tim reading an excerpt of his story behind a podium and beside a cutout of F. Scott Fitzgerald looking especially dapper — Scott and I hanging out and similarly stylish, though his hair was way better

Last night, I gathered with other members of the DC-Baltimore-area literary community at the Rockville Memorial Library to celebrate the winners, runners up, and honorable mentions of the 2023 F. Scott Fitzgerald Literary Festival Short Story Contest. It was refreshingly wonderful and an all-too-rare reminder why I sit alone and confront blank pages.

Contest Judge Nate Brown said many inspiring and kind things, but one of the sentiments I know I’ll keep with me is the idea that, after everything, what matters most is the writer and the page. There is a lot of good in everything surrounding what writers do, and last night’s celebration was a testament to that. Nate also spoke about the baggage of doing this writing thing, such as all of the rejection many of us face. Most important, though, is that we keep sitting down with the pages.

I like that idea because it so often feels like success in writing is entirely beyond our control, but doing the work is something we can absolutely control. Yes, writers are people, and every person has much to contend with (jobs, families, relationships, illnesses, disabilities, etc.), but because we have control over whether we sit down and write, it’s something we can lose without accountability. It’s easy to do it tomorrow and tomorrow and tomorrow.

But if we do it today and today and today, success—however we define it—comes.

This today, I’m riding a high and feeling good because, last night, alongside some very impressive and brilliant writers whom I was grateful to meet, my story, “A Winter Bloom,” was recognized as the contest winner.

September 12, 2023September 12, 2023

‘A Winter Bloom’ Wins F. Scott Fitzgerald Literary Festival Contest

I was overjoyed to learn my story, “A Winter Bloom,” won this year’s F. Scott Fitzgerald Literary Festival Contest.

This story is precious to me, there’s a hefty amount of prestige and history associated with this festival, and it’s in my hometown. It feels like something of an alignment, pieces of a puzzle finding their right place.

I’ll be attending a ceremony on Oct. 12 where I and the other winners, finalists, and honorable mentions will be reading from our pieces. Having read the other stories, I’m humbled mine is in such great company, and I’m eager to meet everyone involved with this year’s contest.

My sincere gratitude to everyone who gave this story their time, energy, and consideration. I’m deeply honored this story found others who thought something about it was worthwhile.

Read “A Winter Bloom” here, and read the other pieces and judge commentary here. If you’re in the area, consider attending the festival on October 21. You can register in advance here.

August 21, 2023August 21, 2023

Seeking a Sensitivity Reader

I’m currently seeking a sensitivity reader for issues of Mexican culture and heritage, Spanish-English translations, authentic representation, and experience with discrimination and U.S. immigration for a post-apocalyptic/horror road novel (107k words). I prefer readers with experience in sensitivity reading and publishing, but I’m willing to work with anyone who can share their lived experience with me and help me get this aspect of my novel right. The novel features one primary character of Mexican descent (specifically Jalisco), but he’s not the perspective character (so that might be a bit lighter of a lift). Trigger warnings include racism, religion (Christianity), politics, assault, physical violence, trauma, and profanity. I’m negotiable on rates, but I’m certainly on a budget. Please contact me if interested or with referrals. Thank you for your help in getting this right!

My Favorite stories of 2023

But, Tim, I already subscribe to tons of Substacks. Why is yours different?