‘Fairy Tale’ by Stephen King, A Review With a Long, Self-Serving Preamble

Stephen King was fundamental to my formative years in storytelling, and I know I’m far from alone in that. His writing has touched millions, and his reputation has preceded him for many more than that. You know all of this.

(If you really just want the review, scroll down to the subheading. You can’t miss it.)

When I was discovering fiction writing as a central part of my life, I found myself connecting with and inspired by his stories more than many other writers’. Like the literary elite, who might still puzzle over what it is about King’s work that people like so much, I’ve spent much of my studies thinking about why his work resonates with me. Is it the fascination with the dark and macabre? Is it some deep-seated psychological need for me to gaze into the unknown? Do I ironically find delight in terror? Wait, is there something wrong with me? I think if it were any of these things, any horror author would do, and that’s at least not how I work. 

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Anatomy of an Ending

There is a popular sentiment that stories, like life, are about the journey, not the ending. I think good fiction has to differentiate itself from life, so stories are about the journey and the ending.

Maybe I’m hopelessly morbid, but I think about death all the time. I know I’m not the only one, but how I’m going to check out is constantly on my mind. It doesn’t frighten me or stop me from living, but like a good story, I do want to know how it all ends. Like reading a good story, though, I’m not eager to get there. It’s a paradox. I don’t want it to end.

You can stop psychoanalyzing me now.

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The Dark Tower Is … *sigh … Solidly Okay

I just got back from seeing The Dark Tower. I’m a stewer. When I see a film, I generally can’t talk about it immediately afterward. I have to let it stew in my mind awhile. When my wife asked me what I thought about it, I found I had fairly instant thoughts on where the film succeeds and where it fails.

[This review is spoiler-free, by the way.]

It’s been years since I read the books, and to be honest, I have a love-hate relationship with them. I love the core story, what Stephen King was trying to do, but ultimately, I think the series is flawed in several major ways. So I was eager to see a reimagining that wasn’t a strict adaptation. I was excited to see a story using those core elements without having to conform to the original narrative.

That’s what we have with the film, and if you want to read more about my thoughts on all of that, click here.

The reason I bring this up is to give you a point of reference on my expectations. I take no issue with the film deviating from the source material. In fact, I welcome it. And all of that stuff, the faithfulness, the adherence to the original story, let’s pack that up and set it aside for now. Let’s just talk about The Dark Tower film as a film on its own.

I enjoyed it. Ultimately, though, I’m disappointed.

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Why I’m Excited for the Dark Tower Film (And Why I Understand If You Aren’t)

The Dark Tower film adaptation comes out this Friday, and while there’s a general buzz about a cool-looking film where Idris Elba plays some kind of cowboy knight from some kind of ethereal realm and Matthew McConaughey plays some kind of wizard with creepy fingernails, and there’s, like, gunslinger kung fu (gun-fu?) and stuff, excitement among fans of the novel series appears mixed.

It has all the makings of a summer blockbuster, and it has Stephen King’s name attached to boot (which arguably is a liability in some circles). But there’s this nagging baggage it seems to be lugging around.

If you haven’t read the series, you probably have a friend who has. Go ask them where they sit on this one, and you’ll probably get a moderately animated shrug, which is weird, especially for a franchise of this magnitude and prestige.

So what’s the deal?

(Minor spoilers for the book series below, but if you haven’t read it by this point, I don’t think you’ll mind. Either way, proceed at your own risk.)

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