If you read Chris Cornell’s obituary today, you’ll learn he was the frontman for Soundgarden and Audioslave; you’ll learn he had a unique voice.
He was so much more than that.
Obviously, he was a person with family and friends who cared about him, knew him intimately, and will never forget him. But he also was one of the last remaining legends of a rock and roll era that has already lost so much or seen its heroes falter and fade.
My wife bought us tickets to see him solo a couple years back at this music hall near our home that typically hosts classical and traditional musical acts. What struck me about him was not his performance. It was his attitude and presence. Alone on a stage in front of hundreds, in a place that was maybe out of his element, he didn’t just command the room, he owned the whole damn building, because we did.
Generally speaking, whenever someone says, “the book was better,” about a book-to-film adaptation, I feel the need to punch them in the throat. I could go on a long digression here about my feelings of film adaptations, the different camps of people wanting them to be faithful, and creative freedoms of artists as well as the nature of truth, but I’m not going to do that. Suffice to say, The Girl With All The Gifts film adaptation gets it both wrong and right in really fascinating ways. Continue reading
I loved Autumn Moon. In a genre where there just aren’t that many good stories, it shines as an example of the werewolf tale’s potential. Autumn Moon demonstrates how to tell a deeply human werewolf story in a fascinating, alluring world rich with mythos and intrigue.
I Am The Night does something else entirely.
Rooted in the Autumn Moon framework, I Am The Night continues the narrative of Drake Burroughs, but like Drake, the novel’s nature has evolved. This one puts Drake in the spotlight and focuses on his struggles in the aftermath of the first book.
Drake has changed, and the core of Slade Grayson’s storytelling has changed, too.