PULLING STRINGS is easily one of my favorite novels of 2017. Not only is it smart and meaningful, but it’s also fun as hell. It is a novel in that place where genre fiction and literary fiction blend, a novel you might see a literature professor and his or her student run into each other and discover they have something in common.
The synopsis goes something like this: Agent Colt has a psychic ability to fire kinetic mind bullets from her fingers. She’s a legend at the Department of Scientific Investigation (which doesn’t exist … but it could!), and she has led a storied career that the new recruits talk about in hushed tones. Now, however, she’s approaching retirement, working a cushy detail out of a field office in Middle America. It’s boring compared to her heyday. Then a new case comes in, and she thinks it could be her swan song. Little does she know the target she’s hunting is the most dangerous psychic she’s ever encountered.
I don’t know if this is the book you deserve, but it’s the book you need. (That’s clever, you see, because there are a lot of Batman references in this book… ahem, anyway.)
Blake Twenty-Three by Slade Grayson begins with a message the literary world needs to hear: “Just have fun.” We often forget reading and storytelling is supposed to be something we enjoy. Many of us get so stilted and wooden with our critical analysis and pushing our nerd glasses up on the bridges of our noses that we overlook an integral part of the reading experience: escape. If one-half of storytelling is information conveyance, the other half is signal quality. Maybe “integrity” is the right word there. I don’t know, but what it boils down to is a measure of enjoyment.
I’ve been reading Craig DiLouie’s work for a while. I believe his career is worth watching. Last year, he published Suffer the Children, which I fell in love with, and it was nominated for a Bram Stoker Award. Craig has unquestionably made his mark on horror.
But there comes a time in every artist’s career where they get fidgety and want to try something new. That’s what Crash Dive is.
In the grand scheme of Craig’s progression as an author, Crash Dive feels almost calculated. It’s a relatively short novel. It’s hard-and-fast in a genre that he clearly has a strong affinity for. It’s somewhat safe, but he’s testing waters (he even writes in an afterword that, if Crash Dive gets a good response, he’ll turn it into a series … also, pun intended).
When I finished Deep Black Sea, I found myself dwelling on its strengths. Of course, not many works are without faults, but there are some really powerful elements here that I found creative, interesting, and entertaining.
One of Deep Black Sea’s greatest strengths is its foundation of plausibility. In a nutshell, the United States elects a new president who effectively guts NASA’s funding for a mission to Mars in favor of pursuing deep-water research. While such a broad and far-reaching decree in a democratic society is unlikely, it isn’t an unfamiliar point of consternation in the scientific community: the idea that we should understand our own planet before we explore others, and we still know so little about life at the bottom of the ocean. Continue reading